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To have fun the artist’s ninetieth birthday, established San Francisco vendor Catherine Clark—who additionally marks 35 years of operation this 12 months—is staging an intensive exhibition of Japan-born, U.S.-based artist Masami Teraoka. Spanning 5 many years of the artist’s oeuvre, the present highlights his means to adapt conventional Japanese illustration—significantly Edo-period woodblock conventions similar to flattened area, calligraphic line and theatrical gesture—to handle Western shopper tradition, eroticism and the collision between East and West. Mixing the surreal and the humorous with sharp social commentary, Teraoka’s work affords an unusually visceral, at occasions intimate but deeply resonant reflection on how concepts of sexuality, gender, the physique, love and affection have developed alongside the accelerated societal shifts of latest many years. Whereas his work within the Seventies typically embraced a extra optimistic imaginative and prescient of free love, it took a darker and extra pressing flip within the late Eighties and Nineteen Nineties, with searing responses to the AIDS disaster, non secular hypocrisy and ethical panic.
This survey tracks that evolution, providing a uncommon alternative to see watercolors, drawings and multiples from Teraoka’s AIDS Collection and Waves Collection in dialog with initiatives starting from 1974 to the current, together with his later shift towards large-scale, theatrically staged works that grapple with globalization, environmental catastrophe and the fragility of perception programs. Collectively, they type a relentless crucial effort to learn, decode and mythologically reimagine the demons of our time. The exhibition additionally follows a highlight on the artist offered by the gallery at Artwork Basel Miami Seaside and inaugurates a 12 months of programming celebrating Catherine Clark Gallery’s thirty fifth anniversary and BOXBLUR’s tenth anniversary.
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