We’ve entered that unusual interval close to the top of the yr the place Christmas has handed by New 12 months’s Eve isn’t but upon us. This leaves loads of time to sit down again, loosen up and throw on a few films. Paramount+ has a wide range of choices for that final entrance, together with a surprisingly efficient 2025 drama, one of many decade’s greatest blockbusters and a laugh-a-second comedy traditional.
Listed here are the three greatest films to observe on Paramount+ this weekend.
“The Bare Gun: From the Information of Police Squad!”
2025 noticed the revival of the “Bare Gun” franchise in a brand new movie directed by Akiva Schaffer and starring Liam Neeson. “The Bare Gun” (2025) felt like a throwback in all the perfect methods, eschewing the trimmings of the trendy studio comedy for a spoof targeted on jokes and jokes alone. It was an admirable and profitable effort, one which garnered a number of the loudest theater reactions of the yr.
But it surely’s no dig to say that “The Bare Gun” couldn’t absolutely measure as much as the excessive heights of David Zucker’s unique 1988 movie. Few comedies can. On this movie, Leslie Nielsen is a drive of nature, tossing off iconic gags and killer strains prefer it’s the best factor on this planet. The screenplay written by David Zucker, Jerry Zucker, Jim Abrahams and Pat Proft is extremely dense, hardly ever letting seconds to go by with out one other side-busting bit. “The Bare Gun: From the Information of Police Squad!” is, minute-for-minute, one of many funniest comedies of all time — an ideal group or solo look ahead to whoever you occur to be spending the top of the yr with.
“Roofman”
It’s unclear how precisely a film will get the repute for being “higher than it must be,” however that’s the precise reception “Roofman” acquired instantly upon launch. The modest, low-to-mid-budget dramedy relies on a loopy true story, following a person who robbed a sequence of McDonalds by repelling from the ceiling, broke out of jail through the wooden store and commenced residing within the partitions of a Toys “R” Us.
It’s a wild premise, one author/director Derek Cianfrance, alongside co-writer Kirt Gunn and stars Channing Tatum and Kirsten Dunst, provides a very good quantity of pathos and complexity to. Tatum and Dunst each ship robust central performances, constructing a relationship that rapidly turns into extra participating and compelling than the goofy crime story the movie is bought on. It’s not Cianfrance’s greatest movie, but it surely’s a pleasant return for the director, and a strong possibility for a weekend watch.
“Prime Gun: Maverick”
After an enormous field workplace efficiency popping out of the pandemic, “Prime Gun: Maverick” rapidly grew to become often called “the film that saved films” — or, a minimum of, saved film theaters. This looks as if a excessive bar for anyone movie to reside as much as, however Joseph Kosinski’s decades-later sequel to Tony Scott’s Tom Cruise automobile “Prime Gun” deserves that repute and extra.
With a narrative by Peter Craig and Justin Marks, the screenplay by Ehren Kruger, Eric Warren Singer and Christopher McQuarrie is an exciting instance of blockbuster storytelling, one which manages to be endlessly thrilling, participating and satisfying whereas nonetheless hitting the normal beats. Eddie Hamilton’s enhancing is calculated and finely tuned to the movie’s high-octane rhythm, whereas Claudio Miranda’s cinematography is an exciting deal with for the eyes. Cruise, in the meantime, anchors the movie with one in every of his greatest performances in many years. Movies like “Maverick” are what film theaters are made for — however this weekend, your TV should do.
