The Sharpe-Walentas Studio Program (SWSP) is amongst New York’s most revered and sought-after artist residencies. Every year, it affords a cohort of seventeen artists rent-free studio area in DUMBO, Brooklyn, and alternatives for these artists to domesticate deeper ties with the worldwide artwork neighborhood. The newly introduced 2025-2026 cohort, which spans a variety of mediums, narratives and cultural backgrounds, consists of Amy Cutler, Andrew Brischler, Bianca Fields, Celeste Falzone, Dakota Gearhart, Deborah Vivid, Donald Perlis, Eva Davidova, Ivana Dama, Jake Troyli, Jason Karolak, Jennifer Sirey, Linn Meyers, Miguel Payano, Natalie Wooden, Ohan Breiding and Tracy Miller.
Observer not too long ago spoke with Ariel Willmott, director of cultural affairs for the Walentas Household Basis, about how the Sharpe-Walentas residency has advanced over practically three many years to satisfy the shifting wants of up to date artists whereas staying grounded in its founding values. What distinguishes the Sharpe-Walentas Studio Program from different residencies is its artist-led mannequin that ensures every cohort is chosen with care and an understanding of how participation will serve artists at any stage of their careers. “It’s a extremely aggressive program, but it maintains a deeply intimate strategy, working carefully with every artist to assist their residency expertise,” Willmott informed Observer.
The Sharpe-Walentas Studio Program’s roots stretch again to the SoHo artwork scene of the late Eighties, when a gathering organized by Chuck Shut and facilitated by Irving Sandler led to the formal institution of the Marie Walsh Sharpe Basis by Marie Walsh.
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From the very starting, artists and critics served as advisors, shaping the residency right into a program that provided members sensible—and lasting—assist. “As artists and humanities professionals, they have been uniquely outfitted to grasp what artists really wanted for a significant residency expertise, and people wants haven’t modified: good area and time,” Willmott mentioned. Founding figures like Shut and Philip Pearlstein proceed to lend this system legitimacy, however extra necessary is the truth that Sharpe-Walentas stays artist-led, with a rotating committee of up to date artists choosing every new cohort.


When requested what makes a residency really impactful, Willmott emphasised that entry to a workspace is simply the start. “At SWSP, artists are given giant, well-lit and ventilated studios with minimal programmatic necessities,” she says. “It’s a relatively giant program, too, with seventeen studios, and the size of the residency, together with the various vary of members, fosters a dynamic atmosphere the place artists be taught from each other.” Free from the frequent pressures of getting ready for exhibitions or producing completed work to go away behind—necessities that outline many different residencies—artists at Sharpe-Walentas can deal with the event of their practices whereas constructing significant relationships with their friends.
Past this inner neighborhood, this system brings in curators, writers, critics and artists, creating natural alternatives for skilled progress. “These visits create skilled connections with establishments and publications nationwide,” Willmott added, noting how usually the sort of facilitated relationship-building results in exhibitions and different career-enhancing engagements.
Initially based mostly in TriBeCa, the residency program relocated to DUMBO in 2008 and adopted its present title in 2014, when the Walentas Household Basis assumed its sponsorship. That shift not solely ensured this system’s survival but in addition reaffirmed its dedication to the evolving wants of New York’s artists. Rising rents in TriBeCa had made the unique area untenable, prompting the Walentas household to step in with a suggestion of absolutely sponsored studios at 20 Jay Avenue—a part of Two Bushes’s DUMBO portfolio. “When Jane and David Walentas have been approached by three of this system’s advisory committee members—Phong Bui, Irving Sandler and Chuck Shut—they acknowledged a chance to supply artists with the studios they desperately wanted,” Willmott defined.


Relocating this system additionally aligned with the Walentas household’s broader funding within the neighborhood’s artistic ecosystem. “Two Bushes and the Walentas household proceed to nurture DUMBO’s vibrant artistic scene by way of public occasions, sponsored artist leases and by absolutely sponsoring the Sharpe-Walentas Studio Program,” Willmott mentioned. Regardless of speedy gentrification, the native artistic scene stays vibrant. In April, greater than 7,000 guests come for DUMBO Open Studios, the place practically 100 artists—together with present SWSP residents—open their workspaces to the general public.
Because the artwork world continues to alter, rising artists face new challenges. When requested about this system’s priorities and the way they meet the second, Willmott underscored the deepening urgency of a well-recognized concern. “It was that younger artists might discover area in New York. Now, even in much less central neighborhoods, studio area is prohibitively costly. It’s practically inconceivable for artists to afford each studio and dwelling areas, or perhaps a mixed area, within the metropolis.”
“Because the capital of the artwork world, what occurs in New York has world repercussions, and New York artists play an important position in shaping up to date tradition,” Willmott added. “They drive conversations about world points, particular person improvement and societal progress.”
Certainly, the Sharpe-Walentas Studio Program counts amongst its alumni among the most influential artists of our time, lots of whom are exhibiting at main establishments throughout the nation and all over the world—Kara Walker, Julie Mehretu, Kehinde Wiley and photographer Dawoud Bey, to call a number of. Many alumni, based on Willmott, stay carefully related to this system lengthy after their residencies finish. “Contributors usually seek advice from this system as a household. The relationships shaped at SWSP are enduring and in the end strengthen New York’s artwork neighborhood.”

