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Home»Entertainment»Craft Roundtable: Ben Procter ‘Avatar: Hearth and Ash’
Entertainment

Craft Roundtable: Ben Procter ‘Avatar: Hearth and Ash’

VernoNewsBy VernoNewsDecember 20, 2025No Comments2 Mins Read
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Craft Roundtable: Ben Procter ‘Avatar: Hearth and Ash’
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One of many best methods to underestimate the “Avatar” movies is to imagine they’re powered by limitless creativeness. However regardless of an astronomical funds, James Cameron’s alien epic isn’t a blank-check fantasy the place something goes. “Avatar: Hearth and Ash” manufacturing designer Ben Procter says the alternative is true and the key to Pandora’s endurance lies in its restraint. 

“I feel the way in which the viewers responds to ‘Avatar’ is that they love the tales, they love the characters, however additionally they simply love the world,” Procter stated throughout IndieWire’s current craft roundtable collection. “If we don’t do the analysis, that world gained’t really feel actual.”

Scott Chambliss poses for a portrait at the Indiewire Craft Roundtables 2025 at the Lumen Building on November 08, 2025 in Los Angeles, California.

That research-centric mentality defines how Cameron’s core group evolves and expands their inventive toolkit. Pandora isn’t handled like an endlessly fruitful dreamscape, simply shifting to accommodate crowd-pleasing spectacle. As a substitute, it’s designed like a residing, respiration ecosystem — one which’s ruled not solely by organic logic but in addition the constraints of restricted assets.

“It’s not only a free-flowing fantasy,” Procter stated. “We don’t have a vast palette by which to only mess around. We’re all the time grounding it.”

The manufacturing designers say that coherence is what permits audiences to droop their disbelief and enter Pandora as actual. Whether or not that grounding impact finally comes from Cameron’s boundary-pushing use of actual know-how, or the theoretical biology his inventive group has imbued on their shared inventive panorama, the aim is plausibility. When viewers imagine fantastical one thing exists, that encourages emotional funding within the performances. 

“The place it’s a know-how factor or a organic factor, we’re all the time making an attempt to make it one thing that might actually exist,” Procter stated. “Unconsciously, folks deal with it that means they usually care about it.”

That’s why environmental destruction in “Avatar” appears like a tangible loss, too. As Cameron’s universe continues to develop past “Hearth and Ash,” Procter and fellow manufacturing designer Dylan Cole gained’t depend on the auteur’s creativeness alone. They’ll use it to actually hint his concepts and see how far they go, creating spectacle with actual psychological weight from an alternate actuality that in some sense does exist.

For extra from all of our craft roundtables, click on right here.

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