Welcome to One High quality Present, the place Observer highlights a just lately opened exhibition at a museum not in New York Metropolis, a spot we all know and love that already receives loads of consideration.
The latest passing of the nice efficiency artist Alison Knowles (1933-2025) served as a poignant reminder of the enduring affect of the Fluxus motion. There was a interval within the twentieth Century when it appeared artwork may evolve past its concrete and two-dimensional origins, which have been no much less worthwhile than they’d been, however maybe now not as cutting-edge when it got here to politics or concepts. The evolutionarily minded misplaced that battle, in fact, however their developments can’t be erased and appear ever extra well-liked following the explosion of the artwork market. I’ve seen Knowles’ vital and nutritious Make a Salad (1962) staged in lots of locations during the last decade, even at Artwork Basel.
However my favourite (unofficial) member of the group will at all times be Yoko Ono (b. 1933), whose intensive retrospective has simply opened on the Museum of Modern Artwork Chicago. This blockbuster present comes from the Tate Fashionable and covers over 70 years of Ono’s trailblazing profession, with over 200 works together with participatory instruction items and scores, installations, a curated music room, movies, music and images and archival supplies.
I consider that Ono would have change into one of many world’s most well-known artists even when she hadn’t married John Lennon. Sure components of conceptual artwork are too obscure in your common viewer, however you don’t must know something about Marcel Duchamp to get pleasure from works like Glass Hammer (1967) and White Chess Set (1966). These are concepts so clear and trenchant that they have been destined to be well-liked. I don’t even want to explain them, although I wouldn’t take it to the Lawrence Weiner stage of claiming that these objects don’t even must be made or seen. Aren’t they enticing of their strangeness? Don’t you wish to take a peek?
In fact, the present options wealthy documentation of Minimize Piece (1964), which is perhaps my favourite piece of efficiency artwork ever. In it, Ono kneels onstage and palms the viewers a pair of scissors. They take turns slicing off items of her clothes till she is bare. No recommendation is given as to how a lot they need to take away; one sadist may finish the entire efficiency on the primary flip. There’s a lot to unpack with this piece—like the truth that the atomic bombs dropped by America on Japan had the bizarre impact of blowing the garments off some victims—however as with a lot of her oeuvre, there’s one thing instinctual to this work. To see it, or perhaps a {photograph} of it, is to know all.
A lot of the early work on this present comes from the Museum of Fashionable Artwork, which Ono appeared to get pleasure from tweaking. In 1971, she despatched out bulletins for a present she was purported to be having there, or because the postcards typically referred to it, the “Museum of Fashionable (f)Artwork.” She appeared to suppose it was loopy that the system may ever take in the concepts perpetuated by individuals like her and Knowles.
“Yoko Ono: Music of the Thoughts” is on view on the Museum of Modern Artwork Chicago via February 22, 2026.
