- New-model studio helps creator financial system’s function ambitions
- Future Adventures noticed a multi-platform creator on this writer, podcaster, and Sundance winner
- Others will transfer into this house, however will the creator financial system share the wealth?
When Additional Adventures co-founder Steve Beckman joins our Zoom, his digicam’s off. He’s deep in West Virginia, scouting creators who stay — and energy their channel — utterly off the grid.
“They began making YouTube movies as a method of maintaining in contact with their household,” Beckman stated. “After which hastily different folks began watching. They turned filmmakers.”
That’s precisely the sort of origin story Additional Adventures needs to scale. Beckman, a former YouTube exec, launched the studio with longtime Black Bear Footage producer Ben Stillman. Proper now, it’s simply the 2 of them — no bloated employees, no legacy overhead, only a perception that creator-first storytelling can go larger. (They’re mum on the studio’s traders.)
They wish to companion with creators who, with assist, may develop into the following MrBeast or Dude Good. That goes for indie filmmakers as nicely. Future Adventures believes YouTube masters, Sundance breakouts, and investments in web phenoms like golf disruptors Good Good Golf could be a part of the identical storytelling ecosystem. One mission, “Greener Grass Awaits,” is a horror-golf online game that’s turning into a horror-golf film. Horror, golf, and a rabid on-line fanbase: the unholy triumvirate.
“We’ve seen such a altering panorama with extra gifted folks and extra creators than ever, with extra restricted alternatives than once we began 15 years in the past,” stated Stillman. “Individuals who have distinctive views however don’t have the infrastructure, don’t have the sources, don’t have essentially plenty of corporations for the time being to leap in and be that for them.”
In different phrases: Additional needs to shut the widening hole between inventive expertise and alternative … for creators with an viewers or the potential to construct one. That features the off-grid West Virginians (no title but, the deal’s not carried out) and Andrew Rea of Babish Culinary Universe, which has 10M+ YouTube subscribers.

That stated: It’s value noting that, for now, they’re not taking part in Rea’s food-based IP. They’re growing his metaphysical action-thriller, “Previous Soul.” Nonetheless, Additional needs its improvement to lean into his large fanbase by beginning as a digital quick.
They’re additionally backing “If I Go Will They Miss Me” from Walter Thompson-Hernández, primarily based on his 2022 Sundance Grand Jury Prize-winning quick. On paper, he’s the definition of a Sundance ascendant: Earlier than making his quick, he obtained a Masters at Stanford, did PhD research at UCLA, was a multimedia journalist on the New York Instances, created NPR One podcast “California Love,” and wrote “The Compton Cowboys.”
All that, and Thompson-Hernández struggled to finance his function adaptation.
“Ben was essential for finalizing the financing,” he stated. “There was a wave of assist for filmmakers of coloration starting within the early 2020s. As a result of we made it on the kind of tail finish of this wave, I feel it was harder.” The manufacturing shot in Los Angeles this spring with a finances of round $1 million. He hopes it will probably premiere at Park Metropolis’s remaining Sundance.
Thompson-Hernández is just not a digital juggernaut (his IG following hovers round 68k), however he matches the Additional mildew: multi-platform storytelling, competition credibility, and a POV that’s sharp sufficient to chop via. His most up-to-date mission, “Kites,” simply received the Viewpoints Award at Tribeca.
Additional Adventures is making a wise guess as a lean studio constructed to satisfy creators the place they’re. They’re treating on-line audiences and competition buzz as equally legitimate launchpads. And whereas their “creator-first” mannequin feels recent, it received’t keep that method for lengthy. Businesses could have repped digital stars for years, however let’s be sincere: It wasn’t that way back those self same creators have been caught on the children’ desk. Now even your mother is aware of who they’re.
And admittedly? Whereas Additional’s present slate leans feature-heavy, the true winners of this arms race would be the ones who look previous movie and TV. That’s laborious to tug off: Creator-first means creator-power and so they’re not trying to hand that over.
“There are plenty of reps who’ve actually gifted purchasers who’ve one thing that’s actually engaged on YouTube or TikTok and so they’re making an attempt to determine, ‘How does that IP that works there apply to the standard house, and the way can that viewers that exists in that platform come to a function movie or a conventional collection?’” Stillman stated. “I feel a part of it’s centered corporations that need to have the ability to do each, like ours.”
See you subsequent week,
Dana
✉️ Have an concept, praise, or criticism?
dana@indiewire.com; (323) 435-7690.


Weekly suggestions to your profession mindset, curated by IndieWire Affiliate Editor Harrison Richlin
5. The machine cinema instances — June 20, 2025 by Machine Cinema
GenAI is right here and it’s right here to remain. How do creators be taught to work with it moderately than get replaced by it? Begin by visiting the Machine Cinema substack and trying out final week’s replace, which incorporates summaries of the most recent developments and the place the tech nonetheless wants work.
4. Celery juice, raving…and the collapse of the free world by Jennifer Esposito
At her A Rebellious Life substack, actress Jen Esposito addresses the realities of being an artist at this time, whereas additionally providing a dose of inspiration for these underneath the burden of darkish instances. In her newest piece, she breaks down the advantages of searching for pleasure and the way its pushed her work with Insurgent Collective, which affords mentorships and courses.
3. If massive tech corporations change their methods, how does that have an effect on TV producers? by Jen Topping
Writing for her Enterprise of TV substack, Topping deep dives into the seismic shifts occurring in tech and its attainable impact on leisure. For example, ought to the Google antitrust case result in the corporate being damaged up, it might lead Apple to tug again on a few of their programming ambitions on account of their monetary ties.
2. The unintentional gatekeeper by Enrico Banson
Within the strategy of “saving cinema,” Banson argues in his Director’s Notes substack that these deciding what’s value rescuing aren’t appearing with everybody’s greatest pursuits in thoughts. Even on the current Cinequest Competition, Banson discovered underrepresented voices weren’t getting as a lot of a chance to showcase themselves as established filmmakers have been.
1. 12 issues Hollywood can do to thwart ICE by Dan Mirvish
It’s now simple that we at present stay underneath the tyranny of fascism, however the resistance delivered to gentle by the current Los Angeles and subsequent nationwide No Kings protests is a hopeful reminder of the folks’s energy. That vitality have to be sustained although and in his Hollytics/Pollywood substack, filmmaker, writer, and educator Dan Mirvish affords a bounty of the way to remain energetic.