Lily Allen is again — and she or he’s received one thing to say! After seven years away from the studio, the sharp-tongued storyteller of British pop has introduced her fifth album, ‘West Finish Woman’, due October 24 by way of BMG.
The file marks a daring new chapter for Allen, who final launched ‘No Disgrace’ in 2018. Written and recorded largely over a ten-day burst in Los Angeles on the finish of 2024, ‘West Finish Woman’ finds Allen turning her lens inward, exploring the messy center floor between reinvention and reflection.
“I’m nervous,” Lily admits. “The file is susceptible in a manner that my music maybe hasn’t been earlier than — actually not over the course of a complete album. I’ve tried to doc my life in a brand new metropolis and the occasions that led me to the place I’m in my life now. On the identical time, I’ve used shared experiences as the premise for songs which attempt to delve into why we people behave as we do, so the file is a mix of reality and fiction which I hope serves as a reminder of how stoic but additionally how frail we people will be. In that respect I feel it’s very a lot an album in regards to the complexities of relationships and the way all of us navigate them. It’s a narrative…”
Produced by longtime collaborator Blue Could (Kano, Pleasure Cookes, Loyle Carner), alongside Seb Chew and Kito, the 14-track album traces the contours of contemporary womanhood by Allen’s signature mix of biting wit and emotional honesty. The classes stretched from Los Angeles to London and New York, giving the file a cross-continental pulse that mirrors the dislocation at its coronary heart.
Allen would possibly’ve been quiet, however her echo received louder. Billie Eilish remembers crying the primary time she heard ‘Smile’. Olivia Rodrigo — who invited Allen to carry out ‘Fuck You’ together with her at Glastonbury in protest of the U.S. Supreme Court docket — credit her with displaying “say what the fuck you need”. And PinkPantheress put it greatest: “Allen made sounding like your self really feel cool”.
Regardless of placing her microphone down, Lily didn’t disappear — she merely switched spotlights. She took to the West Finish with acclaimed turns in 2:22 A Ghost Story and The Pillowman, earlier than embodying Ibsen’s doomed heroine in a fierce reimagining of Hedda Gabler. Past the stage, she reunited together with her greatest buddy Miquita Oliver for the award-winning podcast Miss Me, the place their candid conversations hit the identical nerve as Allen’s sharpest lyrics.
Now with ‘West Finish Woman’, Lily Allen returns to planet pop simply once we want her most. With its themes of affection, displacement, and self-rediscovery, the file feels just like the sort of comeback solely Lily may pull off: a grown-up reckoning with the identical sharp edge that made her voice inconceivable to disregard practically twenty years in the past.
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