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Home»Science»‘Such caves weren’t used for atypical residing’: Uncommon finger grooves from historical peoples present in glittering Australian cave
Science

‘Such caves weren’t used for atypical residing’: Uncommon finger grooves from historical peoples present in glittering Australian cave

VernoNewsBy VernoNewsAugust 10, 2025No Comments6 Mins Read
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‘Such caves weren’t used for atypical residing’: Uncommon finger grooves from historical peoples present in glittering Australian cave
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Australia’s First Nations historical past stretches again many tens of 1000’s of years, wealthy in depth and variety.

Archaeological analysis has revealed a lot about this deep previous, however it has hardly ever captured the gestures of the ancestors — their actions, postures and bodily motions. Materials traces like instruments and hearths are inclined to survive; fleeting actions normally don’t.

Newly revealed analysis within the journal Australian Archaeology has revealed one thing totally different: traces of hand actions preserved in gentle rock deep inside GunaiKurnai Nation.


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In a limestone cave within the foothills of the Victorian alps, a staff of researchers led by the GunaiKurnai Land and Waters Aboriginal Company in partnership with Monash College and worldwide archaeologists from Spain, France and New Zealand studied finger impressions dragged into the partitions and ceilings. They reveal the hand actions of ancestors from 1000’s of years in the past.

The analysis staff getting into the cave. (Picture credit score: Picture by Bentley Dean, courtesy of GunaiKurnai Land and Waters Aboriginal Company)

The glittering Waribruk

A photo of a cave entrance

The doorway into Waribruk (Picture credit score: Picture by Jess Shapiro, courtesy of GunaiKurnai Land and Waters Aboriginal Company)

The cave, referred to by GunaiKurnai Elders as Waribruk, accommodates a pitch-black chamber past the attain of pure gentle. To enter and mark these partitions, the ancestors would have wanted synthetic gentle: firesticks or small fires.

The cave’s deeper inside partitions grew to become gentle over hundreds of thousands of years as underground waters penetrated the limestone, slowly weathering and dissolving the rock into cavernous tunnels.

The remaining wall surfaces and ceilings grew to become spongy and malleable, very like the feel of playdough.

Over time, cave-dwelling micro organism residing on the gentle, moist rock produced luminescent microcrystals, in order that right this moment, the partitions and ceiling glitter when uncovered to gentle.

It’s on these glittering surfaces that the finger grooves are discovered.

We do not know precisely once they had been made, however individuals would have wanted synthetic gentle to succeed in this a part of the cave. They might have both carried firesticks or lit fires on the bottom.

A cave ceiling covered in tiny glittering crystals

The ceiling deep within the cave, the microcrystals within the rock glittering in low gentle. (Picture credit score: Picture by Bentley Dean, courtesy of GunaiKurnai Land and Waters Aboriginal Company)

Archaeological excavations under and close to the panels didn’t uncover proof of fires on the bottom, however we did discover millimeter-long fragments of charcoal and tiny patches of ash, probably dropped embers from firesticks.

These had been discovered buried within the cave flooring below and close to the embellished partitions. They date between 8,400 and 1,800 years in the past, about 420 to 90 generations previous.

This, then, is one of the best estimate for the way way back the outdated ancestors moved by way of the darkish tunnels of the cave, firelight in hand, to create the finger impressions on the partitions.

A cave ceiling with lines drawn from human fingers

Panel of finger grooves deep within the cave at Waribruk.  (Picture credit score: Picture courtesy of GunaiKurnai Land and Waters Aboriginal Company)

Uncommon ancestral gestures

What they made once they dragged their fingers alongside the gentle rock surfaces deep within the cave is exceptional, revealing uncommon proof of ancestral gestures: fleeting bodily actions captured in gentle cave surfaces.

On one panel, 96 units of grooves had been recorded. The primary marks run horizontally, made by a number of fingers, typically each palms facet by facet. Later, vertical and diagonal grooves had been added, intersecting the sooner ones.

A selection of close-ups of the finger grooves

Panel of finger grooves at Waribruk, exhibiting how the finger grooves had been added to over time.  (Picture credit score: Determine courtesy of GunaiKurnai Land and Waters Aboriginal Company)

Amongst them are two parallel units of slim impressions, solely 3 to five millimeters [0.1 to 0.2 inches] large for every finger. They’re every set a brief distance aside, indicating they had been made by a small baby. Nevertheless, they’re so excessive up, the kid will need to have been lifted by an grownup.

Deeper within the cave, a low ceiling panel bears 262 grooves above a slim clay bench sloping steeply towards a creek mattress. The grooves point out individuals moved alongside the ledge, crawling, sitting, or balancing to succeed in the ceiling.

Farther alongside, 193 grooves hint a path above the creek mattress. Fingers had been pressed into the gentle ceiling, regularly releasing 1.6 meters [5.3 feet] farther alongside because the individuals walked ahead.

All impressions level the identical method, suggesting arms and palms raised overhead, capturing a deliberate, embodied gesture because the ancestors moved deeper into the cave.

A spot solely few might enter

Altogether there are 950 units of finger grooves deep inside Waribruk. Their that means remained unclear for years, however an in depth evaluation of the place the marks seem, and the place they do not, provides key insights.

The grooves are at all times positioned in areas the place calcite microcrystals coat the cave partitions or ceiling, typically simply extending previous the glitter’s edges. They by no means seem in areas of the cave the place the gentle partitions are with out glitter.

Crucially, they happen removed from any archaeological proof of home life: no hearths, no meals stays, no instruments.

This absence issues. GunaiKurnai oral traditions maintain that such caves weren’t used for atypical residing. They had been solely frequented by particular people, mulla-mullung — drugs women and men who wielded highly effective information.

Mulla-mullung healed and cursed by way of ritual, utilizing crystals and powdered minerals as a part of their follow.

a photo of a cave ceiling scored by finger grooves over a creekbed

Panel of finger grooves above the creekbed, right here lit by synthetic gentle. (Picture credit score: Picture courtesy of GunaiKurnai Land and Waters Aboriginal Company)

Within the late 1800s, GunaiKurnai knowledge-holders informed the pioneer ethnographer Alfred Howitt in regards to the powers of those crystals, and of the caves. The function of mulla-mullung, they defined, was normally handed on from father or mother to baby, and when a mulla-mullung misplaced their crystals, they misplaced their powers.

The finger grooves at Waribruk matches these traditions. They aren’t informal decorations. They’re deliberate gestures, linked to crystal-coated surfaces, made in locations only some might enter.

The grooves mirror motion, contact, and sources of energy for particular people in the neighborhood: an embodied report of individuals interacting with the sacred.

What survives isn’t just historical “rock artwork.” These are the gestures of ancestors, mulla-mullung it now appears, who ventured into the deepest darkness of the cave to entry the ability of the glittering surfaces.

By these finger trails, we glimpse not solely a bodily act, however a cultural follow grounded in information, reminiscence and spirituality. A momentary motion, preserved in stone, connecting us to lives lived way back — and respiration the cave to life by way of the actions of the ancestors and tradition.

Acknowledgements: The authors are simply three of the 13 authors of the journal article, together with Olivia Rivero Vilá and Diego Garate Maidagan, who undertook the pictures to create the digital 3D fashions of the panels to report and measure the dimensions of the finger grooves.

This edited article is republished from The Dialog below a Artistic Commons license. Learn the unique article.

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