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Home»National»The High Collections and High Heaps within the November Marquees Auctions
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The High Collections and High Heaps within the November Marquees Auctions

VernoNewsBy VernoNewsNovember 15, 2025No Comments20 Mins Read
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The High Collections and High Heaps within the November Marquees Auctions
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The gathering of Robert F. Weis and Patricia G. Ross Weis has an estimate in extra of $180 million. Christie’s

The November marquee gross sales in New York are among the many most anticipated occasions on the worldwide artwork calendar and the ultimate litmus check of the market’s well being after the London and Paris gala’s and auctions. Main the $1.6 billion New York public sale week this November is a focus of high-end, big-name collections, as single-owner gross sales have turn into an more and more vital software for public sale homes to safe main consignments and construct momentum round a notable identify and provenance. “A well known particular person undoubtedly drives curiosity,” Elizabeth Siegel, vp and head of personal and iconic collections at Christie’s, advised Observer.

Over the previous decade these kind of gross sales have accounted for 15.6 p.c of complete worth, in response to ArtTactic, reaching a peak of 31.3 p.c in 2022 with the Paul G. Allen Assortment. Within the first 10 months of 2025 they continued to outperform with white gloves and information, reaching 18.5 p.c of world public sale worth. Within the closing week of November in New York alone, single-owner gross sales are estimated at $706.8 million of complete public sale worth. “A single-owner sale completely elevates costs. It offers them an actual increase,” Lisa Dennison, chairman of Sotheby’s Americas, confirmed.

As New York’s fall auctions method, here’s a breakdown of probably the most anticipated collections set to look as single-owner gross sales or inside the marquee choices, together with the highest tons which have made headlines within the months main as much as this pivotal week for the artwork market.

The Leonard A. Lauder Assortment at Sotheby’s

Klimt’s dazzling full-length portrait of Elisabeth Lederer, her figure shimmering against a dreamscape of Asian-inspired motifs and ornamental splendor.Klimt’s dazzling full-length portrait of Elisabeth Lederer, her figure shimmering against a dreamscape of Asian-inspired motifs and ornamental splendor.
Gustav Klimt, Porträt der Elisabeth Lederer (Portrait of Elisabeth Lederer), 1914-16. Estimate in extra of $150 million. Courtesy of Sotheby’s

The $400 million Leonard A. Lauder: Collector sale on November 18 is without doubt one of the most anticipated auctions of the season, with Sotheby’s presenting a 24-lot night sale at its new Breuer Constructing headquarters. Following Lauder’s passing final June, each Christie’s and Sotheby’s reportedly competed to safe what is taken into account one of many yr’s most vital consignments. Sotheby’s in the end gained the mandate, securing 55 masterworks from considered one of America’s nice collectors and philanthropists, longtime Whitney patron Leonard A. Lauder, which shall be cut up between the devoted night sale and a day session the next morning.

The undisputed star of the sale is Gustav Klimt’s Porträt der Elisabeth Lederer, estimated in extra of $150 million and poised to surpass the artist’s present public sale report of $108.8 million (£85.3 million), additionally set at Sotheby’s with Dame mit Fächer (Woman with Fan) in London in 2023. Executed between 1914 and 1916, the portrait is amongst Klimt’s most refined full-length depictions, portraying the younger Elisabeth Lederer, daughter of two of his best patrons. It epitomizes Vienna’s Golden Age, a second when youth, magnificence, shade and decorative splendor merged right into a imaginative and prescient of pure magnificence, whereas additionally revealing the affect of fin-de-siècle exoticism. The composition’s flattened perspective and sinuous traces echo Japonaiserie and Chinoiserie, seen within the Asian-inspired motifs floating round Lederer’s Poiret-style robe, a nod to Klimt’s fascination with Chinese language and Japanese artwork and textiles. Confiscated by the Zentralstelle für Denkmalschutz in 1939 and restituted to the Lederer heirs in 1946, the portray was later acquired from the household by Serge Sabarsky, an early advocate of German and Austrian modernism in the US, earlier than getting into Lauder’s assortment within the mid-Eighties.

Different distinctive Klimts within the sale are Blumenwiese (Blooming Meadow) (1908), an beautiful instance of the artist’s floral-period landscapes with an estimate in extra of $80 million, and Waldhag bei Unterach am Attersee (Forest Slope in Unterach on the Attersee) (1916), an outline of an undisturbed lakeside idyll that reveals Klimt’s rising affinity with Van Gogh’s expressive brushwork, estimated in extra of $70 million. The quantity and high-quality works by artists from the Vienna Secession within the assortment may be attributed to Leonard A. Lauder’s connection along with his brother Ronald S. Lauder, some of the notable collectors of the motion and co-founder and president of the Neue Galerie in New York. Each have been sons of Estée and Joseph Lauder, founders of The Estée Lauder Firms.

Extra highlights embrace an emotionally charged, psychologically advanced Edvard Munch, Sankthansnatt (Johannisnacht) (Midsummer Evening) (1901-03), estimated at $20 million, six bronzes by Henri Matisse anticipated to appreciate a mixed $30 million and an immaculate graphite grid by Agnes Martin, The Backyard, exemplifying her mastery of geometric precision and meditative restraint.


The Assortment of Robert F. and Patricia G. Ross Weis at Christie’s

Bright abstract yellow orange and red paintingBright abstract yellow orange and red painting
Rothko’s No. 31 (Yellow Stripe), 1958. Estimate on request, within the area of $50 million.

Over greater than 50 years, Patricia G. Ross Weis and Robert F. Weis assembled a set that mirrored not solely the evolution of Twentieth-century artwork between Paris and New York but in addition the life journey they shared. The 18-lot single-owner Assortment of Robert F. and Patricia G. Ross Weis sale on November 17 is anticipated to generate between $92.35 million and $136.7 million, accounting for greater than half of the gathering’s complete estimated worth of $180 million, which incorporates one other 80 works that shall be distributed throughout extra auctions and classes.

The highest lot is a vibrant yellow-and-orange Mark Rothko painted in 1958, the identical yr the artist accomplished his monumental murals for the 4 Seasons restaurant in Manhattan’s Seagram Constructing. Acquired by the couple from PaceWildenstein in 1995, the work boasts an in depth exhibition historical past, together with its inclusion within the vital AbEx present the Beyeler Basis staged in 1989. Estimated at round $50 million and backed by a third-party assure, the canvas stands as considered one of Rothko’s strongest expressions of American abstraction, its layered chromatic fields pulsing with contained, tormented vitality and stylish atmospheric depth.

One other star lot within the assortment is Piet Mondrian’s Composition with Purple and Blue (estimate: $20-30 million), signed and dated “PM 39-41.” This rare-to-auction portray belongs to the artist’s transatlantic interval, as Mondrian started it in Europe and accomplished it in New York between 1939 and 1941. Its distinguished exhibition historical past consists of “Mondrian: Nature to Abstraction” on the Tate in 1997. The work exemplifies Mondrian’s rigorous steadiness of line, shade and luminous white floor, a necessary but conceptually intricate dialogue on the coronary heart of his observe.

Different anticipated works embrace an early Fauvist panorama by Georges Braque, Henri Matisse’s lyrical Determine et bouquet (Tête ocre) from his Good interval (estimate: $15-25 million), and Pablo Picasso’s La Lecture (Marie-Thérèse), a portrait of his muse estimated within the area of $40 million. One other exemplary work, one which justifies the sale title “A Story Between Two Cities,” is the daring gestural abyssal composition Pierre Soulages painted in Peinture 161 x 200 cm, 14 novembre 1958, provided at $5-7 million, which resonates with the important black marks on a white floor in Franz Kline’s Placidia from 1961 (estimate: $10-15 million).

Robert F. Weis made his fortune as chairman of Weis Markets Inc., a family-run meals firm based in 1912 in rural Pennsylvania, the place the couple lived. A lifelong learner and avid reader, he developed a deep appreciation for artwork. Patricia Weis, born in New York Metropolis, shared his ardour for artwork, structure and design, an curiosity first sparked by an uncle within the style business. She started amassing after assembly Lucie Rie and Hans Coper on a visit to London. Collectively, the pair turned outstanding philanthropists supporting instructional, cultural, civic and medical establishments: Patricia served on the boards of Bard Faculty and Franklin & Marshall Faculty, whereas Robert was a Sterling Fellow at Yale College and sat on its Committee on Buildings and Grounds. Additionally they championed Jewish causes and supported the Lown Cardiovascular Analysis Basis, the Cystic Fibrosis Basis and the Metropolitan Opera.

The Cindy and Jay Pritzker Assortment at Sotheby’s

Van Gogh’s Romans Parisiens (Les Livres jaunes) hangs in an ornate frame above a stone mantel, flanked by blue-and-white vases, with bookshelves framing the scene.Van Gogh’s Romans Parisiens (Les Livres jaunes) hangs in an ornate frame above a stone mantel, flanked by blue-and-white vases, with bookshelves framing the scene.
A $40 million Vincent van Gogh, Romans Parisiens (Les Livres jaunes), leads this Sotheby’s sale. Picture: Michael Tropea | Courtesy of Sotheby’s

The opposite main consignment Sotheby’s has secured for November is the Cindy and Jay Pritzker Assortment, which is anticipated to generate a complete in extra of $120 million. Recognized for founding the Pritzker Structure Prize in 1979—usually referred to as the “Nobel of structure”—the Chicago-based couple prolonged their devotion to artistic excellence past the constructed setting, assembling a set that displays the breadth and rigor of their cultural philanthropy.

Headlining the November 20 Cindy and Jay Pritzker Assortment sale, which instantly precedes Sotheby’s Trendy Night Public sale at 7:30 p.m., is Vincent van Gogh’s Romans Parisiens (Les Livres jaunes) (1887), a radiant nonetheless life from the artist’s Paris interval by which a stack of yellow-bound books turns into a portrait of his voracious mind. Estimated at $40 million, the portray was acquired by the Pritzkers in 1994 by Richard L. Feigen & Co. and boasts an in depth literature and exhibition historical past spanning main establishments throughout Europe and the US, together with the present “Van Gogh à Paris” on the Musée d’Orsay (1988), “Vincent van Gogh Work” on the Rijksmuseum Vincent van Gogh, Amsterdam (1990), and “Vincent van Gogh and the Trendy Motion, 1890-1914” at Museum Folkwang, Essen, and the Van Gogh Museum, Amsterdam (1990-91). The work final appeared publicly in “Van Gogh and Gauguin: The Studio of the South” on the Artwork Institute of Chicago (2001-02), “The Actual Van Gogh: The Artist and His Letters” on the Royal Academy of Arts, London (2010), and “Van Gogh’s Bedrooms” on the Artwork Institute of Chicago (2016). The preparatory portray for this canvas is held within the Van Gogh Museum’s everlasting assortment.

Evaluating the current work to Piles of French Novels within the Van Gogh Museum, students have described it as significantly revealing of the artist’s stylistic transition. If the sooner examine, flatter in tone and extra monochromatic, displays his fascination with Japanese prints by its block-like composition and restrained palette, the portray within the Pritzker Assortment reintroduces depth and vitality by rhythmic dashes and free strokes of the Neo-Impressionist fashion Van Gogh adopted in his closing Paris months.

Among the many different highlights of the sale are Henri Matisse’s sensuous triptych Léda et le cygne (1944-46), estimated at $7-10 million, and Paul Gauguin’s La Maison de Pen du, gardeuse de vache (1889), painted throughout his Pont-Aven interval and carrying a $6-8 million estimate. Extra highlights embrace Max Beckmann’s Der Wels (Catfish) ($5-7 million), Ernst Ludwig Kirchner’s Hallesches Tor, Berlin (1913, $3-5 million), a large-scale out of doors sculpture by Joan Miró ($4-6 million), and a lyrical Camille Pissarro panorama from his second Pontoise interval ($1.2-1.8 million).

The breadth of the Pritzker holdings will lengthen past the November sale, with additional tons provided subsequent month in Sotheby’s Books and Manuscripts, Sculpture and Works of Artwork, Chinese language Works of Artwork, and Design auctions. Collectively, the ensemble is anticipated to carry tens of hundreds of thousands of {dollars} throughout a number of gross sales.

The Elaine Wynn Assortment at Christie’s

Richard Diebenkorn’s Ocean Park #40, an abstract composition of intersecting geometric planes in turquoise, ochre, and coral hues, evoking the light and structure of the California coast.Richard Diebenkorn’s Ocean Park #40, an abstract composition of intersecting geometric planes in turquoise, ochre, and coral hues, evoking the light and structure of the California coast.
Richard Diebenkorn, Ocean Park #40 (1971). Estimate: $15-25 million. Christie’s

Christie’s additionally secured the exceptional assortment of Elaine Wynn, the late philanthropist and “Queen of Las Vegas,” who handed away this April. Celebrated for her discerning eye and the exceptional assemblage she constructed each alongside and independently of her former husband, on line casino magnate Steve Wynn, her property is estimated at over $75 million. 9 of the highest works shall be featured within the Twentieth Century Night Sale on November 17, two within the twenty first Century Night Sale on November 19, with the rest to comply with within the Submit-Conflict and Modern Artwork Day Sale.

The highlights from her assortment span centuries and actions but share the identical customary of excellence that outlined Wynn’s amassing ethos. On the Trendy facet, the highest lot is Richard Diebenkorn’s transcendent Ocean Park #40, which shall be provided within the Twentieth Century Night Sale with an estimate of $15-25 million. The work returns to the podium simply as Gagosian pronounces its illustration of the Diebenkorn property and inaugurates a devoted exhibition at its Higher East Aspect gallery. Wynn acquired the portray at Sotheby’s in 2021, when it achieved a then-record $27.3 million. Diebenkorn’s public sale report now stands at $46.4 million, set by his 1965 Recollections of a Go to to Leningrad at Christie’s New York in November 2023, putting the present estimate effectively inside vary but poised to surpass it amid renewed market consideration following Gagosian’s endorsement. Earlier than its final sale, Ocean Park #40 was featured within the touring museum exhibition devoted to the sequence on the Trendy Artwork Museum of Fort Price and the Orange County Museum of Artwork (2011-2012), in addition to Acquavella Galleries’ 2018 present pairing Diebenkorn’s California scenes with these of Wayne Thiebaud.

Different high tons embrace J.M.W. Turner’s poetic Ehrenbreitstein (estimate: $12-18 million) and a refined Parisian scene by Georges Seurat. On the postwar facet, headline works are Lucian Freud’s late self-portrait (estimate: $15-25 million) and Joan Mitchell’s sunflower-hued explosion of shade and gesture (estimate: $12-18 million).

The Edlis|Neeson Assortment at Christie’s


Interior view of the Edlis|Neeson Collection featuring works by Andy Warhol, including The Last Supper in yellow and black on the left wall and Skull in pink and green on the right. A Patina-inspired diptych by Rudolf Stingel hangs between them above a polished Art Deco cabinet, with small bronze animal sculptures displayed below. The highly reflective surface of the central table mirrors the surrounding artworks, enhancing the room’s sleek, modern atmosphere.Interior view of the Edlis|Neeson Collection featuring works by Andy Warhol, including The Last Supper in yellow and black on the left wall and Skull in pink and green on the right. A Patina-inspired diptych by Rudolf Stingel hangs between them above a polished Art Deco cabinet, with small bronze animal sculptures displayed below. The highly reflective surface of the central table mirrors the surrounding artworks, enhancing the room’s sleek, modern atmosphere.
Greater than 40 groundbreaking artworks and design from Stefan Edlis and Gael Neeson’s Chicago residence will go on the block. © Damien Hirst and Science Ltd. All rights reserved, ARS 2025; © Robert Rauschenberg Basis/VAGA at ARS, NY and DACS, London 2025; © Property of Tom Wesselmann/VAGA at ARS, NY and DACS, London 2025; © Jeff Koons; © Richard Prince; © Ron Mueck; Diego Giacometti © 2025 Artists Rights Society (ARS), New York / ADAGP, Paris. Picture: © Michael Tropea

Additionally introduced as a part of Christie’s 44-lot twenty first Century Night Sale on November 19, the Edlis|Neeson Assortment is described by the public sale home as a uncommon instance of a rigorously curated ensemble of postwar icons that collectively hint the evolution of recent and modern artwork. Austrian-born American collector and philanthropist Stefan Edlis and his life companion Gael Neeson started assembling their assortment within the Nineteen Seventies, regularly filling their landmark house on Chicago’s Magnificent Mile with works that James Rondeau, president and director of the Artwork Institute of Chicago, as soon as referred to as “some of the vital collections of recent and modern artwork in existence.” In 2015, the couple donated 44 works to the Artwork Institute, a present the museum described as transformative. Born in Vienna in 1925, Stefan Edlis fled Nazi-occupied Austria for the U.S. in 1941 and later based Apollo Plastics Company. In 1974, he met Gael Neeson, and collectively they started a lifelong pursuit of artwork amassing, mentored by Chicago collector Gerald Elliot. Their first main acquisition, Piet Mondrian’s Giant Composition with Purple, Blue, and Yellow (1977), marked the start of a set that developed towards Pop, Conceptual and modern artwork, that includes icons like Andy Warhol, Robert Rauschenberg, Cindy Sherman and Richard Prince, in addition to a later era equally engaged with Pop and mass tradition, together with Damien Hirst, Jeff Koons, Takashi Murakami and Ugo Rondinone.

One of many high tons is Ed Ruscha’s How Do You Do?, coming to public sale amid robust market momentum for the artist following MoMA’s main retrospective final yr. A part of Ruscha’s coveted mountain sequence, this laconic phrase floats diagonally slightly than horizontally, suspended over a meticulously rendered alpine panorama, every ridge and summit bathed in deep blue gentle. Acquired instantly from Gagosian in 2004 and proven that very same yr within the Aspen Artwork Museum’s Ed Ruscha: Mountain Work, the work makes its public sale debut with an estimate of $5-7 million, secured by a third-party assure.

One other spotlight is Andy Warhol’s The Final Supper (Yellow) (1986), acquired from Gagosian in 2002 and now estimated at $6-8 million, additionally backed by a assure from Christie’s. The public sale home describes it because the end result of Warhol’s profession, a meditation on the dualities of mass media and mortality. Created only a month earlier than his loss of life and first exhibited in Milan’s Palazzo delle Stelline, instantly throughout from Leonardo da Vinci’s Final Supper, the sequence was Warhol’s manner of “making Leonardo thrilling once more.” The work displays his lifelong fascination with the iconography of pictures, their energy, repetition and eventual lack of aura by mass replica. As greater than 3,000 guests attended the Milan present, The Final Supper got here to embody Warhol’s personal closing self-reflection, a farewell from the artist who turned as well-known and as mythic because the masters he reinterpreted.

Additionally featured within the sale are Warhol’s Cranium (estimate: $800,000-1.2 million), which can open the Night Sale, and his Oxidation Portray (Diptych) (1978), acquired from Skarstedt Gallery in 2017 (estimate: $900,000-1.2 million, assured). Different highlights embrace a Diego Giacometti bronze desk (estimate: $3-5 million), Richard Prince’s Double Nurse (estimate: $3-5 million), and Jeff Koons’s Gazing Ball (Courbet Sleep) (estimate: $600,000-800,000), acquired from Gagosian in 2015. The sale additionally consists of works by Cindy Sherman, George Condominium, Claes Oldenburg and Tom Wesselmann, alongside two Giacometti library tables.

Maybe probably the most provocative work from the gathering, though not on the market, is Maurizio Cattelan’s Him (2001), which shall be viewable by request in the course of the November pre-sale exhibition, a haunting reminder of the gathering’s daring and thought-provoking spirit.

The Max N. Berry Collections at Christie’s

A rough-textured bronze bust of a man with a gaunt, elongated face and hollow eyes, emerging from a heavily worked base that blurs into his shoulders.A rough-textured bronze bust of a man with a gaunt, elongated face and hollow eyes, emerging from a heavily worked base that blurs into his shoulders.
Alberto Giacometti, Buste d’homme (Diego), conceived in 1959/solid in 1960-1961. Bronze with brown patina, peak: 15.3/4 in. (40 cm.), estimate $5-8 million. Courtesy of Christie’s

Debuting within the Twentieth Century Night Sale this November, the gathering of connoisseur Max Berry brings to public sale one of many season’s most wide-ranging and invaluable encyclopedic consignments. Spanning greater than 30 classes, the gathering, which is anticipated to generate tens of hundreds of thousands of {dollars} throughout a number of years of gross sales, displays Berry’s lifetime of passionate and discerning amassing, pushed extra by curiosity than by market style.

Among the many high tons hitting the podium in the course of the November marquee night sale is Calder’s Acrobats (1929), a seminal wire sculpture estimated at $5-7 million. Composed of two delicately balanced figures mounted on a wood base, the piece dates to the artist’s pivotal Paris years when he started remodeling his toy-maker’s ingenuity into formal sculptural language. Acrobats is instantly linked to Calder’s famed Cirque Calder (1926-31), the hand-built miniature circus that anticipated his lifelong fascination with motion and efficiency. Its look at public sale coincides with the Whitney Museum’s centennial tribute “Excessive Wire: Calder’s Circus at 100.”

Additionally included within the sale is Berry’s Alexander Calder Untitled (1938), a uncommon yellow hanging cellular estimated at $1.5-2 million. Evoking the artist’s childlike sense of surprise, the sculpture’s steady movement, irrespective of how nonetheless the air, epitomizes Calder’s mastery of steadiness, rhythm and levity. Finishing the lineup of recent masters from the gathering are Giacometti’s Buste d’homme (Diego), a bronze portrait of the artist’s brother, solid and signed 2/6 with an estimate of $5-8 million, and his nonetheless life Nature morte (1938), estimated at $1.5-2 million, a testomony to the artist’s existential and important synthesis of kind and psychological depth.

Extra works from Berry’s assortment, together with Judaica, American artwork and Chinese language artwork, shall be provided in phases by 2027, underscoring each the scope and scholarly depth of a lifetime spent amassing with mind, ardour and humanity. As Berry advised Observer in a current interview, his final want is that the works are loved, whether or not by non-public collectors or in establishments. “It will likely be fantastic if a museum acquires a few of them and makes them public, the place they’ll sit alongside different objects of an identical nature to inform the story of their artistry and their occasions.”

The Schlumberger Assortment at Sotheby’s

Claude Monet’s Vue de Rouen depuis la côte Sainte-Catherine, an Impressionist landscape painted in luminous tones of lilac, rose, and gold, depicting the Rouen Cathedral emerging softly through mist at sunset.Claude Monet’s Vue de Rouen depuis la côte Sainte-Catherine, an Impressionist landscape painted in luminous tones of lilac, rose, and gold, depicting the Rouen Cathedral emerging softly through mist at sunset.
Claude Monet, Vue de Rouen depuis la côte Sainte-Catherine, 1892. Sotheby’s

Equally eclectic is the Schlumberger Assortment, which Sotheby’s secured for this season. It debuted in Paris throughout their Surrealism and Its Legacy public sale, with extra tons now scheduled to look in New York in the course of the Trendy Night Public sale on November 20 and Trendy Day Public sale on November 21. Additional works shall be within the Necessary Design, Effective Jewellery and Effective Books & Manuscripts gross sales held between November and December 2025. This singular ensemble, bridging centuries of artwork and design and reflecting the legacy of considered one of Europe’s nice industrial and cultural dynasties, was based by brothers Conrad and Marcel Schlumberger, whose pioneering work in geophysics revolutionized the vitality business. The household additionally turned famend for its refined patronage of the humanities. That legacy continued by Marcel’s daughter, Anne Schlumberger, whose discerning eye was formed by her lifelong engagement with Surrealism, structure and design.

Among the many works coming from the gathering is Claude Monet’s Vue de Rouen, a luminous and atmospheric canvas painted on the daybreak of his famed cathedral sequence and set to be one of many high tons in Sotheby’s Trendy Night Public sale. Recent to the block with an estimate of $3,000,000-4,000,000, this iconic Monet embodies a pure luminous environment because the artist focuses on the transitory phenomenology of sunshine and shade, reaching a stage of abstraction near uncooked sensorial notion earlier than any codification or formalization. The opposite spotlight of the gathering is François-Xavier Lalanne’s Hippopotame Bar (1976), a pièce distinctive and the primary and solely instance the artist created in copper, serving because the prototype for his later bronze editions.

Property from the Kawamura Memorial DIC Museum of Artwork at Christie’s

Claude Monet’s Nymphéas (1907), a luminous vertical depiction of waterlilies at Giverny, where sunlight ripples across the pond’s reflective surface in soft tones of green, violet, and gold.Claude Monet’s Nymphéas (1907), a luminous vertical depiction of waterlilies at Giverny, where sunlight ripples across the pond’s reflective surface in soft tones of green, violet, and gold.
Claude Monet, Nymphéas. Oil on canvas, 36 1/4 x 29 in. (92 x 73.6 cm.). Christie’s

Christie’s added one other main institutional consignment to its marquee gross sales with the Property from the Kawamura Memorial DIC Museum of Artwork assortment. The museum, lengthy celebrated for its distinguished holdings of Western artwork, is deaccessioning eight masterpieces by among the most vital names in Impressionism and Modernism. Introduced as a devoted group within the Twentieth Century Night Sale on November 17, with additional works to comply with within the Impressionist & Trendy Artwork Day Sale and the Submit-Conflict & Modern Artwork Day Sale, the providing marks a pivotal second within the museum’s historical past.

For greater than three many years, the works resided in Kawamura’s purpose-built museum close to Tokyo, the place they introduced worldwide guests face-to-face with the nice masters of recent artwork. Following its closure in March 2025, the establishment introduced plans to divest round 280 works by auctions and personal gross sales, aiming to lift at the very least ¥10 billion (roughly $68 million).

Main Christie’s Twentieth Century Night Sale from the museum’s assortment is Claude Monet’s Nymphéas (1907), one of many artist’s most dazzling depictions of his Giverny waterlily pond, estimated at $40-60 million. Acquired in 1970 from the Property of Albert J. Dreitzer by Sotheby’s, the portray has been a cornerstone of Kawamura’s galleries ever since, its vertical composition capturing the pond’s luminous floor in an nearly summary symphony of reflection and lightweight.

Different highlights embrace Pierre-Auguste Renoir’s Jeune femme arrangeant des fleurs (estimate: $8-12 million), Marc Chagall’s Le Rêve de Paris (estimate: $4-6 million) and Henri Matisse’s Femme au chapeau bleu (estimate: $3-5 million), which may even be provided within the Twentieth Century Night Sale.

Extra for artwork collectors

The Top Collections (and Their Top Lots) Headlining the $1.6 Billion November Sales



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