Contributors to Scientific American’s November 2025 Problem

Contributors to Scientific American’s November 2025 Problem

By Jen Schwartz

Lori Youmshajekian
Dietary supplements That Struggle Irritation

“So lots of my story concepts come from a buddy asking me, ‘Did you see this factor on TikTok?’” says Lori Youmshajekian (above), who wrote this month’s function about dietary dietary supplements and irritation. “I really like investigating and debunking issues which are trending on social media.” As a former Scientific American intern, Youmshajekian has an affinity for reporting tales on shopper well being that pique her private curiosity: “I feel you ask higher questions once you’re within the sneakers of your reader since you need the identical questions answered. You wish to unravel issues.”

Youmshajekian grew up in Australia and majored in finance however “felt my thoughts going numb spreadsheets all day.” She received a college communications job and located that she beloved interviewing lecturers about their analysis. Her first journalism gig was a two-year venture about sexual assault that ended up altering a regulation in Australia. After that, she was hooked.

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Youmshajekian headed to graduate faculty in New York Metropolis, and after a sequence of jobs and internships, she now works as a contract science journalist primarily based in Armenia, “which is my ethnic background,” she says. She leads workshops on science writing for different journalists and is contemplating instructing as nicely. “I report fairly a bit on native well being points,” she says. “It doesn’t have the affect of writing for an American publication, but it surely does have an effect.”

Bianca Brandner
Graphic Science

For Bianca Brandner, turning into a graphic designer felt inevitable, “like there was no different choice,” she says. Whether or not she’s working for editorial or industrial purchasers, Brandner likes the problem of diving into a very new area and “extracting its essence. I see it as a means of translation from a theoretical aspect to the visible, extra perceptive aspect.”

For this month’s Graphic Science column, written by affiliate editor Allison Parshall, Brandner redesigned a basic graphic from our archive: a 1973 chart in regards to the effectivity of assorted types of locomotion. To spotlight clustered information factors, she used texture and shade to usher in heat and tactility. “Infographics ought to be easy and easy, however they don’t must be scientific,” she says.

Brandner is a part of DTAN Studio in Berlin (its identify stands for “Don’t Attempt Something New”). To make digital animations, she and her colleagues begin with bodily supplies. “We do paper slicing and do every body by hand,” she says. “The imperfections are what add character—they create persona within the design.” Brandner can also be fascinated about typography and has spent the previous few years creating her personal font. “It’s structured but additionally liberating as a result of there’s no consumer behind it, so I can observe my imaginative and prescient one hundred pc,” she says. “After all, the draw back is that nobody is pushing me to get it completed. I’ve revisited the identical letter three or 4 occasions.”

Dan Vergano
Meteorite Heist

In 2012 Dan Vergano, then a senior science reporter at USA TODAY, noticed an article a couple of Nazi-acquired Buddhist god sculpted out of meteoritic iron. The story was getting plenty of play. The discovering had come from Meteoritics & Planetary Science, and Vergano felt his aggressive instincts flare. “I kicked myself as a result of I ought to have been studying that journal,” he says. “I assumed, I ain’t gonna miss the subsequent good article that comes out of there.” Final summer season Vergano noticed a possible “Indiana Jones story” in Meteoritics & Planetary Science, which led him to jot down this month’s function about how one of many largest meteorites ever discovered went lacking from Somalia.

Now a senior editor at Scientific American, Vergano studied aeronautical engineering and labored in communications for the U.S. Division of Protection earlier than turning into a journalist. “I spotted it will be extra enjoyable to jot down Freedom of Info Act requests slightly than suppressing them,” he says.

Vergano had beforehand reported about artifacts looted in the course of the Iraq Conflict, and whereas engaged on this story, he was “shocked that the sphere of meteoritics hasn’t grappled with the provenance of meteorites the best way the fields of antiquities and paleontology have.”

Deena So‘Oteh
Life’s Huge Bangs

When Deena So‘Oteh first learn a draft of Asher Elbein’s article on the origins of advanced multicellular life, the duvet story she could be creating illustrations for, “I needed to know, on a molecular stage, how these microorganisms had been visualized beforehand,” she says.

So‘Oteh began from a literal place, imagining what a scientist digging by means of rocks could be seeing, after which researched the “intricate, symmetrical drawings” of Austrian artist Alfred Hagel, an early Twentieth-century modernist and impressionist. When she first sits all the way down to sketch, “I enable my palms to develop concepts with out essentially figuring out them as such early on.” For the journal cowl, she needed to indicate the “duality of one thing being each seen and unseen” and the way these ideas are interpreted in gentle of one another.

So‘Oteh has a background in wonderful arts however gravitated towards work that “communicates,” she says. The majority of her work includes illustrating e-book covers and editorial ideas, which permits for “a means of fixed studying and visualizing summary ideas.” She loves the studying and the analysis, however on the subject of making a picture, her response is visceral: “I ask myself, What do I would like readers to really feel?”

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