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Home»National»Curator Eleanor Clayton On Combating to Save a Nationwide Treasure
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Curator Eleanor Clayton On Combating to Save a Nationwide Treasure

VernoNewsBy VernoNewsJuly 26, 2025No Comments8 Mins Read
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Curator Eleanor Clayton On Combating to Save a Nationwide Treasure
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Clayton says the marketing campaign has drawn widespread help from arts establishments, artists, and hundreds of particular person contributors moved by the urgency of the hassle. {Photograph} by Betty Saunders, courtesy of the Hepworth Wakefield

A West Yorkshire museum, The Hepworth Wakefield, made worldwide headlines final month when it introduced that it could launch a fundraising marketing campaign to maintain a sculpture by Barbara Hepworth (1903-1975) within the nation. Sculpture with Color (Oval Type) Pale Blue and Pink (1943) offered for £3.8 million at Christie’s final 12 months to a non-public purchaser, however the British authorities positioned an export bar on the work, giving the establishment till August to match the sum the customer paid. The deadline approaches, however the fundraising web page launched by the museum and its companion, the Artwork Fund, has lower than £440,000 left to lift. We caught up with Eleanor Clayton, curator at The Hepworth Wakefield, to listen to extra concerning the marketing campaign.

Your efforts to maintain Sculpture with Color (Oval Type) Pale Blue and Pink in England are fairly distinctive! How did this concept come about?
Sculpture with Color (Oval Type) Pale Blue and Pink has been in non-public collections because it was made by Hepworth in 1943, and alternatives for the general public to view it have been uncommon. After the sculpture was offered at Christie’s final 12 months, it was positioned underneath a brief export bar by the U.Ok. authorities to offer a U.Ok. museum the prospect to amass it, for everybody to get pleasure from. The export bar is simply by 27 August this 12 months, and the museum would wish to lift the complete sale worth of £3.8 million.
The Hepworth Wakefield is the perfect dwelling for this unbelievable sculpture, however we now have no acquisition funds and rely completely on philanthropy to develop the gathering, so I didn’t suppose it could be a chance for us initially. However one in every of Barbara Hepworth’s granddaughters wrote to encourage us to pursue it. This led to constructive conversations with the Artwork Fund and the Nationwide Lottery Heritage Fund, which have been so excited by the prospect that I started to suppose we would be capable to do it! Up to now, we now have acquired main help from these organisations and others such because the Headley Belief, alongside over 2,000 donations from members of the general public.

Why does this work benefit such an effort? Why is it so essential?
Sculpture with Color (Oval Type) Pale Blue and Pink is one in every of Hepworth’s most essential and most lovely sculptures. It’s my private favorite. It was made after Hepworth had already made a reputation for herself as a pioneer of summary carving within the Nineteen Thirties, turning into mates with and exhibiting alongside different nice fashionable artists like Naum Gabo, Piet Mondrian and Alexander Calder. In 1939, simply as she was establishing her profession—together with her first solo exhibition of geometric summary carving in 1937—World Battle II was declared. To flee the upcoming Blitz, Hepworth left London and moved to Cornwall together with her household, taking only a handful of instruments and the plaster prototype for this work. Within the first years of the struggle, Hepworth had no supplies or house by which to carve, and spent her days taking care of her kids, spending her nights drawing summary, crystalline kinds, what she referred to as her ‘sculptures born in 2 dimensions.’
In 1942 she moved together with her household into a bigger home with an area for her to have a studio, and commenced carving and creating her concepts for sculpture with color—each in a sequence of smaller works, initially in plaster, after which in wooden, creating this piece Sculpture with Color (Oval Type) Pale Blue and Pink in 1943. This era marks the start of each color and strings showing in her work—the latter turning into one thing for which she is known. She described in 1952, “the color within the concavities plunged me into the depth of water, caves, or shadows deeper than the carved concavities themselves. The strings have been the stress I felt between myself and the ocean, the wind or the hills,” connecting her sculpture to the expertise of panorama, significantly the British shoreline. These concepts would develop within the Forties, with seminal painted stringed works corresponding to Pelagos (Tate), and past.

And why do you’re feeling it’s essential to you and your supporters that it stays in England?
Hepworth is likely one of the most essential British artists, on the forefront of a number of avant-garde actions in Britain and a pioneer of contemporary summary artwork. This work, particularly, presents the engagement with the British panorama in her work. It exhibits her responding to the Cornish panorama, which in flip she had been drawn to by its resonance with the Yorkshire panorama by which she grew up. As she famous, “the barbaric and magical countryside of rocky hills, fertile valleys, and dynamic shoreline of West Penwith has supplied me with a background and a soil which evaluate in power with these of my childhood within the West Using.” She would later mirror, “maybe what one needs to say is shaped in childhood, and one spends the remainder of one’s life making an attempt to say it … all my early reminiscences are of kinds and shapes and textures … the hills have been sculptures, the roads outlined the shape.”
Sculpture with Color (Oval Type) Pale Blue and Pink is an important work in relating each to Hepworth’s significance to the event of geometric abstraction in Britain—and internationally—within the Nineteen Thirties and the lyrical evocation of panorama which might develop in her work through the Forties and 50s. It additionally reveals her astonishing resilience and drive to work in antagonistic circumstances referring to British social historical past; the battle of a girl (and mom) artist within the Forties to mix art-making whereas juggling childcare and home chores, and the persistence of creativity at a time of nationwide and world disaster. Being in a public assortment will be sure that these fascinating and important tales across the sculpture might be made seen, enabling us to completely have fun Hepworth’s exceptional life and work, in addition to making one of the crucial putting examples of Hepworth’s sculpture obtainable to the general public.

There’s been a vogue these days for greats of artwork historical past being revived through what the New York Instances just lately described because the “rediscovery industrial advanced.” What’s your impression of Hepworth’s present standing with curators and collectors?
Hepworth was an outlier in managing to be very profitable throughout her lifetime within the male-dominated world of contemporary artwork and significantly fashionable sculpture. Regardless of this, she famous the challenges she continuously encountered by the sexist attitudes inside key establishments, sellers and the press. For instance, whilst late as 1964, she was in a bunch present at Tate of one of the best artwork of the previous decade and was one in every of solely eight girls out of 170 artists featured. She said in 1966, “there’s nonetheless a deep prejudice in opposition to girls within the arts.”
Latest scholarship on Hepworth—and that is one thing I significantly deal with in my guide Barbara Hepworth: Artwork & Life—acknowledges the function of her private life, passions and pursuits inside her work, past the formalist narrative that had beforehand been dominant. As one other working example, we are actually coming into a time the place an artist’s childcare obligations—and the inspiration they’ll draw from this—are seen as legitimate topics inside the dialog round creativity. There was an enormous rise in consciousness and celebration of girls artists just lately and an acknowledgement of the various elements that prevented many from reaching the identical reputations and sale costs as their male friends, which led flourishing careers to be misplaced to historical past or to be neglected completely.
Hepworth is simply now starting to obtain the worldwide recognition she deserves, with a European touring exhibition “Barbara Hepworth: Artwork & Life” at present at Fondation Maeght and touring to the Kunstmuseum Pablo Picasso in Münster in November 2025. However there has not been a monographic institutional present in North America since 1994. Maybe that is overdue!

You’ve lined up a formidable roster of British artists to help this effort. What’s making them struggle for this?
We’re delighted that so many modern artists have come out to help our marketing campaign, from Rachel Whiteread and Anish Kapoor to Richard Deacon and Veronica Ryan. This demonstrates the importance of Hepworth inside British artwork historical past and her enduring legacy, in addition to the significance of this sculpture particularly. At The Hepworth Wakefield, we now have a altering programme of contemporary and modern artwork alongside our everlasting assortment, and I’ve seen many artists interact with Hepworth—her materials apply, her philosophy, the best way by which she engaged with the world and translated that into her artwork—all these points proceed to resonate with artists right this moment. It might be superb to deliver Sculpture with Color (Oval Type) Pale Blue and Pink into this persevering with dialog between previous and current inventive creativity.

Extra Arts interviews

Curator Eleanor Clayton On the Race to Keep a National Treasure in Britain



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