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Home»National»Eight Exhibitions To not Miss Throughout Frieze Week London
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Eight Exhibitions To not Miss Throughout Frieze Week London

VernoNewsBy VernoNewsOctober 7, 2025No Comments8 Mins Read
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Mark your calendars and pack your umbrellas (simply in case), as a result of Frieze Week is across the nook. Whereas the principle motion will happen from October 15 by means of 19 at Regent’s Park in London, there will likely be lots to see off-Frieze throughout town, with an unbelievable line-up of nice artwork a cab or tube experience away. Spanning main blockbusters to gallery exhibits of labor by rising artists, these eight gorgeous exhibitions will remind you why London stays the cultural heartbeat of the U.Ok.

Should-see London exhibits throughout Frieze


  • “Nigerian Modernism”

  • “Emily Kam Kngwarray”

  • “Kerry James Marshall: The Histories”

  • “Home of Music”

  • “Cai Guo-Qiang: Gunpowder and Abstraction”

  • “Amirhossein Bayani – The Narrative of Minorities”

  • “From Horizon of the Matter, Rises the Vertical of the Soul”

  • “Stan Douglas: Start of a Nation and The Enemy of All Mankind”

“Nigerian Modernism”


  • Tate Fashionable
  • October 8, 2025, by means of Could 10, 2026

Presenting the historical past of mid-century Nigerian trendy artwork for the primary time within the U.Ok., “Nigerian Modernism” is certain to interrupt new floor (conveniently, simply in time for the 1-54 Up to date African Artwork Honest working October 16-19). Set towards the backdrop of Nigeria’s independence from British rule in 1960, the present shows greater than 200 works by 50 artists throughout textile, portray, sculpture, paper and ceramics, together with El Anatsui, Aina Onabolu, Ben Enwonwu and Uzo Egonu, simply to quote a number of. “Nigerian Modernism” retraces the beginnings and legacies of serious artist actions such because the New Sacred Artwork Motion, the Zaria Arts Society and the Oshogbo Artwork College. It offers fascinating perception right into a slice of International South artwork historical past, highlighting the affect of conventional motifs and kinds on these vibrant Nigerian artists.

Benedict Enwonwu, Black Tradition, 1986. Lent by Kavita Chellaram 2025 © The Ben Enwonwu Basis.
Courtesy of Tate Fashionable

“Emily Kam Kngwarray“


  • Tate Fashionable
  • Via January 11, 2026

Whereas at Tate Fashionable, don’t miss Europe’s first main solo exhibition of Emily Kam Kngwarray, some of the excellent Twentieth-century modern artists. The present is a late however welcome recognition of this Aboriginal artist hailing from the Anmatyerr group in Australia’s Northern Territory, a pattern that mirrors her total institutional success. She began portray in her late 70s, producing greater than 3,000 works inside a short while span. Her land and tradition deeply influenced her artwork. Via her, Aboriginal artwork grew to become modern and a global sensation. From early batik prints to large-scale summary work, Kngwarray infused her work with Aboriginal beliefs such because the Dreaming, an “everywhen” notion of time that deeply resonates with Creation and ancestral spirits. Dots and features are in perpetual motion; they undulate on her monumental canvases like furrows from Kngwarray’s agricultural fields.

Emily Kam Kngwarray, Ntang Dreaming 1989. NGA, Canberra.
© Emily Kam Kngwarry Copyright Company. Licensed by DACS 2025

“Kerry James Marshall: The Histories”


  • The Royal Academy of Arts
  • Via January 18, 2026

With 70 works on show, this will likely be Kerry James Marshall’s largest present outdoors the U.S. The exhibition will function a first-time mortgage of Data and Marvel (1995). The mural, produced for the Chicago Public Library, was withdrawn from hitting the public sale block in 2018 following criticism, together with from the artist. The mural represents a back-facing Black crowd admiring a tree of data and varied books. A ladder suggests the opportunity of upward mobility by means of training. The London present contains many different work by which characters nap, daydream, dance, care, love. Kerry James Marshall, a grasp of latest Black portraiture, shows right here his signature vignettes as tender, intimate and assured visible homages to Black tradition.

Kerry James Marshall, Vignette #13, 2008. Acrylic on PVC panel, 182.9 x 152.4 cm. Personal assortment.
© Kerry James Marshall. Picture courtesy of the artist and Jack Shainman Gallery, New York

“Home of Music”


  • Serpentine South Gallery
  • October 10, 2025, by means of February 8, 2026

“Home of Music” phases a multisensory presentation of Peter Doig’s works spanning canvas, music and movie. The present will embrace new works in addition to his famed atmospheric compositions, akin to Fall in New York (Central Park), 2002-2012, by which a roller-skating character dances to an invisible tune, mixing with the exhibition’s need to dispel inventive boundaries. “Songs could be very visible. I’m concerned about what they conjure, and I’ve tried through the years to make work which are imagistic and atmospheric in the way in which music could be,” Doig stated in a press release. Sound prompts each our reminiscence and generosity. The present will conjure sounds in dialog with work the artist produced throughout his keep in Trinidad between 2002 and 2021, and they’ll even be in dialogue with different musicians and creatives.

Peter Doig, Fall in New York (Central Park), 2002–2012. Oil on linen, 120.5 x 98 cm.
© Peter Doig. All Rights Reserved

“Cai Guo-Qiang: Gunpowder and Abstraction”


  • White Dice Bermondsey
  • Via November 9, 202

Some would possibly keep in mind Cai Guo-Qiang’s explosive gunpowder art work at Tate’s Turbine Corridor in 2003, a hearth, gentle and sound efficiency drawing the form of a mesmerizing monumental dragon. Guo-Qiang is again in London for a extremely anticipated new solo present. In these new works, gunpowder stays the artist’s core materials. However somewhat than deepening its corrosive and fiery attributes, Guo-Qiang explores its extra delicate facet. Gunpowder is used as a dry pigment of outdated China—a medium to a visible poem. He provides dimensionality by utilizing coloured gunpowder this time, depicting botanical motifs of flowers akin to delicate pink poppies. Fragility and violence coexist on this meditation on impermanence.

Cai Guo-Qiang in 2024.
Photograph by Kenryou Gu, courtesy Cai Studio.

“Amirhossein Bayani – The Narrative of Minorities”


  • Kristin Hjellegjerde Gallery
  • Via October 25, 2025

On this solo present, Iranian artist Amirhossein Bayani explores the depths of longing and the which means of residence. That is achieved by means of delicate and textured landscapes on canvases formed like a home. Painted with oil, the scenes carry the home, childlike really feel of pencil strokes. Daytime and nighttime scenes alternate between lush forest and mountain (Mount Damavand, a logo of putting up with Iranian tradition and pleasure). These Edenic landscapes convey disappointment and foreboding. We spot empty boats, chilly buildings and a lonesome boy staring on the expanse earlier than him. Although seeped in Bayani’s private historical past and context, the work transcends each in awakening a loss inside.

Amirhossein Bayani, One Final Cease, 2025. Oil and acrylic on Akwete handwoven cloth, 91 x 91 cm. / 35 7/8 x 35 7/8 in.
Courtesy the artist

“From Horizon of the Matter, Rises the Vertical of the Soul”


  • gallery rosenfeld
  • Via October 24, 2025

Teodora Axente is a member of the Cluj College within the Transylvanian area of Romania, the place younger artists got here collectively after the 1989 Revolution and the autumn of communism. We see this ambition of rupture and upheaval in her works that includes uncanny scenes and characters emulating the portray types of the Dutch Golden Age and Sienese early Renaissance with a Surrealist twist: an assortment of misery, opulence and instability conferring uncertainty and enchanting gloominess to those collages. Gilded non secular figures meet creatures and units. “From Horizon of the Matter, Rises the Vertical of the Soul” will current a brand new physique of labor previous to her first institutional solo present at Siena’s Santa Maria della Scala Museum—an thrilling time for this rising artist.

Teodora Axente, THE MOMENT. Set up view from the 2025 Armory Present.
Courtesy of gallery rosenfeld

“Stan Douglas: Start of a Nation and The Enemy of All Mankind”


  • Victoria Miro
  • Via November 1, 2025

D. W. Griffith’s 1915 The Start of a Nation stays some of the controversial American movies produced—a technical prowess that fails to hide outward anti-Black racism (blackface and all), misogyny and white supremacist narratives in a narrative set throughout and after the Civil Warfare. Canadian artist Stan Douglas units out to dismantle this problematic legacy in a five-channel video set up, premiered right here for a European viewers. Douglas reinterprets and alters scenes from the unique movie to denounce racist biases, fiction and fabrication, interrogating the position of cinema in amplifying prejudicial myths. The present additionally features a photographic sequence that explores race and theatrical staging, participating with an 18th-century comedian opera, John Homosexual’s Polly, set within the Caribbean on the time of the transatlantic slave commerce. In each works, Douglas dramatizes the query of who will get to inform these tales and transforms offensive leisure into a robust satire to flip energy buildings.

Stan Douglas, Act III, Scene VII: During which the pirate Morano (aka Captain Macheath) challenges, and is vanquished by, the Maroon Queen Pohetohee from the sequence The Enemy of All Mankind: 9 Scenes from John Homosexual’s Polly (1729), 2024. Inkjet print mounted on Dibond aluminum, 150.5 x 301 cm. / 59 1/4 x 118 1/2 in.
© Stan Douglas; Courtesy of the artist, Victoria Miro and David Zwirner

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